apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Don Pelayo, Rey De Asturias
Don Pelayo, Rey De Asturias by Luis de Madrazo y Kuntz

plate no. 1362

Don Pelayo, Rey De Asturias

Luis de Madrazo y Kuntz, 1856

oilRomanticismhistory paintingfigurelandscapemountainsskyclothingweapon
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and atmospheric perspective. It also provides practice in mixing subtle color variations and creating a focal point through composition and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the landscape.

  2. step 02

    Establish the background landscape with broad washes of color, creating atmospheric perspective by lightening values as the distance increases.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the clothing.

  4. step 04

    Refine the figure's features and details, including the face, hands, and clothing embellishments.

  5. step 05

    Add details to the sword, cross, and other accessories, focusing on accurate rendering of their forms and textures.

  6. step 06

    Develop the lighting and shadows on the figure and landscape, creating depth and dimension.

  7. step 07

    Add final highlights and details to enhance the realism and visual interest of the painting.

  8. step 08

    Glaze and adjust colors as needed to achieve a harmonious and unified final result.

color palette

primary · titanium white · burnt umber · cadmium red · ultramarine blue

secondary · yellow ochre · ivory black · raw sienna

Achieve the subtle variations in the white drapery by mixing small amounts of burnt umber and yellow ochre with titanium white. Create the flesh tones by blending cadmium red, yellow ochre, and titanium white, adjusting the proportions for highlights and shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke