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home·artworks·Domenico di Jacopo di Matteo, called 'Becuccio Bicchieraio'
Domenico di Jacopo di Matteo, called 'Becuccio Bicchieraio' by Andrea del Sarto

plate no. 4774

Domenico di Jacopo di Matteo, called 'Becuccio Bicchieraio'

Andrea del Sarto, 1530

oil, panelHigh Renaissanceportraitportraitfigurefruittableclothingheadwear
some experience helpful

This painting provides practice in rendering realistic skin tones and drapery folds. Students will also learn to create depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, fruit, and bowl.

  2. step 02

    Block in the background with a thin wash of muted green and brown.

  3. step 03

    Establish the darkest values in the clothing and hat.

  4. step 04

    Begin building up the skin tones with layers of color, focusing on highlights and shadows.

  5. step 05

    Paint the fruit, paying attention to the subtle color variations and highlights.

  6. step 06

    Add details to the bowl and the table surface.

  7. step 07

    Refine the details of the face and clothing, adding subtle highlights and shadows.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow light · viridian

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of raw umber. Create darks by mixing ivory black and raw umber. Use viridian and yellow ochre to create the green hues for the table.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to establish a strong value structure early on.
  • →Ignoring the subtle color variations in the fruit and clothing.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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