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home·artworks·Doleful premonition
Doleful premonition by Gerolamo Induno

plate no. 6590

Doleful premonition

Gerolamo Induno, 1862

oil, canvasRomanticismgenre paintingfigureinteriorroombedwindowfireplace
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting complex interior scenes with multiple light sources.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, paying attention to the placement of the figure, bed, and other key elements.

  2. step 02

    Establish the main light source (window) and block in the large areas of light and shadow.

  3. step 03

    Begin painting the background, starting with the furthest elements (wall, window) and working forward.

  4. step 04

    Focus on rendering the figure, paying close attention to skin tones, drapery folds, and facial expression.

  5. step 05

    Add details to the bed, including the floral pattern on the bedspread and the textures of the pillows.

  6. step 06

    Paint the fireplace and surrounding objects, paying attention to the subtle variations in color and tone.

  7. step 07

    Add final details, such as the objects on the floor and the pictures on the wall.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Use raw umber and ivory black to create the darker tones in the room. Mix burnt sienna and yellow ochre for the warmer tones in the walls and floor. Use ultramarine blue and titanium white to create the cooler tones in the drapery and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery
  • ·atmospheric perspective

common pitfalls

  • →getting the proportions of the figure wrong
  • →overworking the details
  • →failing to create a sense of depth
  • →not paying attention to the subtle variations in color and tone

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

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