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home·artworks·Divided and Divided
Divided and Divided by Ivan Albright

plate no. 5719

Divided and Divided

Ivan Albright, 1941

oilMagic Realismcityscaperockswatertreesskycoastlineclouds
experienced study

Recreating this painting will help students develop skills in rendering complex textures and atmospheric perspective. It also offers practice in color mixing to achieve realistic earth tones and subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line and major rock formations.

  2. step 02

    Establish the sky with broad strokes, blending colors to create cloud formations.

  3. step 03

    Block in the distant trees and coastline, paying attention to their relative values and colors.

  4. step 04

    Lay in the base colors for the water, reflecting the sky and surrounding landscape.

  5. step 05

    Begin building up the rock formations with layers of color, focusing on light and shadow.

  6. step 06

    Add details to the rocks, using dry brush techniques to create texture and variation.

  7. step 07

    Refine the water surface, adding subtle reflections and ripples.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve the earthy tones by mixing burnt umber and raw sienna with small amounts of ultramarine blue and white. Use yellow ochre and cadmium red light to create warmer highlights on the rocks. Mix ivory black with ultramarine blue and white for the darker areas of the sky and water.

techniques

  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →overworking the details
  • →muddying the colors
  • →ignoring the value structure
  • →failing to create depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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