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home·artworks·Distant View of Nazareth
Distant View of Nazareth by William Holman Hunt

plate no. 9256

Distant View of Nazareth

William Holman Hunt, 1861

watercolorRomanticismcityscapecityscapehillsfiguresbuildingsskylandscape
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, color mixing for landscapes, and rendering textures with watercolor washes and dry brush techniques. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the perspective of the buildings and the placement of the figures.

  2. step 02

    Establish the horizon line and the basic shapes of the hills and mountains in the background.

  3. step 03

    Apply a light wash of diluted yellow ochre or raw sienna to the sky and distant hills.

  4. step 04

    Begin layering washes of burnt sienna, raw umber, and a touch of red to build up the colors of the landscape and buildings.

  5. step 05

    Add details to the buildings, using a fine brush to define windows, doors, and roof lines.

  6. step 06

    Paint the figures with blues and reds, using darker shades to create shadows and folds in the clothing.

  7. step 07

    Use dry brush techniques to add texture to the foreground hill and vegetation.

  8. step 08

    Add final details and highlights to the buildings, figures, and landscape to create depth and dimension.

color palette

primary · burnt sienna · raw umber · yellow ochre · ultramarine blue

secondary · cadmium red · titanium white · sap green

Mix burnt sienna and raw umber for the earth tones. Use ultramarine blue and white to create the sky and the blue clothing. Add a touch of cadmium red to the earth tones to create warmer hues.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·perspective drawing
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the perspective of the buildings.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1/2 inch)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and ensure vibrant colors. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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