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home·artworks·Distant thoughts
Distant thoughts by John Absolon

plate no. 2185

Distant thoughts

John Absolon

oil, canvasRomanticismportraitfigurelandscapefenceportraitdresshat
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle expressions and rendering realistic skin tones. It also provides practice in depicting fabric textures and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: figure, fence, and background.

  2. step 02

    Establish the background washes, starting with the sky and distant hills.

  3. step 03

    Block in the main colors of the figure's clothing and skin, focusing on accurate values.

  4. step 04

    Refine the facial features, paying close attention to the eyes and mouth.

  5. step 05

    Add details to the clothing, such as folds and patterns.

  6. step 06

    Paint the fence and surrounding environment, adding texture and detail.

  7. step 07

    Adjust values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · alizarin crimson

Mix raw umber and white for the skin tones, adding small amounts of yellow ochre or burnt sienna for warmth. Use ultramarine blue and burnt sienna to create muted greens for the landscape.

techniques

  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the face, leading to a stiff or unnatural appearance.
  • →Using colors that are too saturated, resulting in a painting that lacks subtlety.
  • →Failing to create a sense of depth, making the painting appear flat.
  • →Ignoring the importance of accurate values, leading to a lack of realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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