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home·artworks·Dieppe
Dieppe by Charles Conder

plate no. 3540

Dieppe

Charles Conder, 1895

oilImpressionismgenre paintingfiguresbuildingsskycloudsbeachdogs
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and values. It also encourages loose brushwork and capturing fleeting moments.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, figures, and horizon line using a diluted wash of burnt umber.

  2. step 02

    Block in the sky with a mix of white, blue, and a touch of brown, paying attention to the cloud formations.

  3. step 03

    Establish the ground plane with a base of yellow ochre and raw umber, varying the tones to suggest depth and shadows.

  4. step 04

    Add the buildings using a mix of red, white, and brown, simplifying details and focusing on their overall form.

  5. step 05

    Paint the figures with quick, gestural strokes, using a limited palette of black, white, and touches of color to indicate clothing.

  6. step 06

    Add small details like the dogs and other figures in the background, keeping them simple and indistinct.

  7. step 07

    Refine the shadows and highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive and atmospheric effect.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · ultramarine blue · burnt sienna · ivory black

Achieve the muted tones by mixing complementary colors and using white to create subtle variations. The sky is a blend of white and blue with a touch of brown. The buildings are a mix of red, white and brown.

techniques

  • ·alla prima
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and making the painting appear harsh.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.
  • →Not establishing a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes size 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for broken color and dry brush techniques. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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