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home·artworks·Die alte Akademie in Düsseldorf
Die alte Akademie in Düsseldorf by Andreas Achenbach

plate no. 9713

Die alte Akademie in Düsseldorf

Andreas Achenbach, 1831

oilRomanticismcityscapebuildingsskycloudsfigurescityscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering architectural details. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings, paying attention to vanishing points.

  2. step 02

    Block in the sky with a light blue, gradually adding darker blues and grays towards the top.

  3. step 03

    Roughly sketch the cloud formations, focusing on their shapes and values.

  4. step 04

    Establish the base colors for the buildings, using a mix of yellows, browns, and grays.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Paint the figures in the foreground, using small brushstrokes and varying colors to create depth.

  7. step 07

    Add highlights and shadows to the buildings and figures to create a sense of form and volume.

  8. step 08

    Refine the details and add final touches to the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · raw sienna · ivory black

Achieve the building colors by mixing yellow ochre, burnt umber, and white. Use ultramarine blue and white for the sky, adding a touch of burnt umber for the darker cloud areas.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·rendering details

common pitfalls

  • →Incorrect perspective can ruin the entire painting, so take your time with the initial sketch.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to create a sense of depth can make the painting look flat.
  • →Inconsistent lighting can make the painting look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish values.

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oil painting for beginners →how to learn by studying the masters →
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