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home·artworks·Devoutness
Devoutness by Domenico Induno

plate no. 1686

Devoutness

Domenico Induno, 1865

oil, canvasRomanticismgenre paintingfigurebuildingarchitecturereligiousstreetclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and clothing, as well as creating a sense of depth and atmosphere through subtle color variations and value shifts. The painting also provides an opportunity to practice capturing the texture of different surfaces, such as the stone walls and the woman's garments.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the figure's features and clothing, paying attention to the folds and drapery.

  4. step 04

    Develop the background details, such as the architectural elements and the objects in the interior.

  5. step 05

    Add highlights and shadows to create a sense of depth and dimension.

  6. step 06

    Work on the details of the face, hands, and other focal points.

  7. step 07

    Glaze and scumble to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the skin tones by mixing titanium white, cadmium red, and a touch of raw umber. Create the darker tones by adding ultramarine blue to the raw umber and burnt sienna mix. Use yellow ochre and ultramarine blue to create the muted greens in the background.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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