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home·artworks·Dervishes in Cairo
Dervishes in Cairo by Konstantin Makovsky

plate no. 7609

Dervishes in Cairo

Konstantin Makovsky, 1875

oil, canvasRomanticismgenre paintingfiguresarchitecturetreescourtyardshadowsMiddle East
some experience helpful

Recreating this painting will help students develop skills in rendering figures in shadow and light, and in creating a sense of depth through atmospheric perspective. It also offers practice in depicting complex textures of architecture and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and placement of figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure and light/shadow patterns.

  3. step 03

    Develop the background architecture, paying attention to the subtle color variations in the walls and the details of the windows and doorways.

  4. step 04

    Refine the figures, focusing on accurate proportions and the rendering of drapery folds.

  5. step 05

    Add details to the trees and foliage, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Pay attention to the cast shadows, which help to define the forms and create a sense of atmosphere.

  7. step 07

    Glaze over areas to adjust color and value, and to create a sense of unity.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by blending burnt umber, raw sienna, and ivory black with white. Use ultramarine blue to cool down the browns and create atmospheric perspective.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Getting lost in the details too early, before establishing the overall value structure.
  • →Overworking the painting and losing the freshness of the initial brushstrokes.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for a good balance of texture and smoothness. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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