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home·artworks·Deposition from the Cross
Deposition from the Cross by Filippino Lippi

plate no. 6582

Deposition from the Cross

Filippino Lippi, 1500

oilHigh Renaissancereligious paintingfiguresreligious scenecrossskyladdercloth
experienced study

Recreating this painting will help students develop their understanding of complex figure drawing, drapery, and subtle color blending to create realistic skin tones and fabric textures. It also provides practice in creating a dynamic and engaging composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Begin building up the forms of the figures, paying close attention to anatomy and proportions.

  4. step 04

    Develop the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Refine the details of the faces, hands, and feet, adding subtle variations in color and value.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · red ochre · ultramarine blue · ivory black · titanium white

secondary · yellow ochre · burnt umber · raw sienna

Mix skin tones by blending white, red ochre, and a touch of yellow ochre. Achieve the blues in the sky by mixing ultramarine blue with white, and add a touch of red ochre for warmth. Create the reds and oranges by mixing red ochre with yellow ochre and a touch of burnt umber.

techniques

  • ·figure drawing
  • ·drapery studies
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Oversimplifying the drapery and losing the sense of volume.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the emotional expressions of the figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (red ochre, ultramarine blue, ivory black, titanium white, yellow ochre, burnt umber, raw sienna)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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