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home·artworks·Departure of Christ from Mary, with Mary and Martha, the sisters of Lazarus
Departure of Christ from Mary, with Mary and Martha, the sisters of Lazarus by Correggio

plate no. 9225

Departure of Christ from Mary, with Mary and Martha, the sisters of Lazarus

Correggio, 1518

oil, canvasHigh Renaissancereligious paintingfiguresreligious scenelandscapecolumndraperysky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle skin tones and achieving realistic light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the placement and proportions of the figures and the basic landscape elements.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures.

  3. step 03

    Develop the light and shadow on the figures, paying close attention to the drapery folds.

  4. step 04

    Refine the facial features and hands, adding details to convey emotion and expression.

  5. step 05

    Work on the landscape, creating depth through variations in color and tone.

  6. step 06

    Add highlights and details to the column and other architectural elements.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · red ochre · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · ivory black

Achieve skin tones by mixing red ochre, raw umber, and titanium white. Use ultramarine blue and raw umber for the darker drapery. Mix yellow ochre with white for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Lack of depth in the landscape
  • →Muddy color mixing
  • →Ignoring the subtle color variations in the drapery

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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