apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Departure for the Hunt in the Pontine Marshes
Departure for the Hunt in the Pontine Marshes by Horace Vernet

plate no. 8519

Departure for the Hunt in the Pontine Marshes

Horace Vernet, 1833

oilRomanticismlandscapetreesforestwaterfiguresanimalslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex tree forms. It also provides practice in creating a sense of depth and capturing the subtle variations in light and shadow within a forest scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the dark and light values using a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Block in the main areas of color, starting with the background and working towards the foreground.

  4. step 04

    Begin refining the shapes of the trees, paying attention to the details of the bark and branches.

  5. step 05

    Add the figures and animals, keeping them small and indistinct to maintain the sense of distance.

  6. step 06

    Develop the reflections in the water, using horizontal brushstrokes and slightly darker values.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · dark green · brown · ochre

secondary · gray · blue-gray · cream

Mix greens by combining blues and yellows with a touch of brown. Achieve the muted tones by adding small amounts of complementary colors to your mixes.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering tree bark
  • ·reflected light

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a strong sense of depth.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke