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Demurer by Mary Lizzie Macomber

plate no. 2062

Demurer

Mary Lizzie Macomber

oilRomanticismportraitportraitwomanprofilehairdressfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle variations in skin tone and creating soft, diffused lighting effects. It also provides practice in rendering delicate facial features and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions and the angle of the profile.

  2. step 02

    Establish the background tone with a thin wash of neutral color.

  3. step 03

    Block in the main areas of light and shadow on the face and hair using a limited palette of earth tones and white.

  4. step 04

    Begin refining the facial features, focusing on the subtle curves and planes of the nose, lips, and eyes.

  5. step 05

    Develop the hair by layering different shades of brown and adding highlights to create texture and volume.

  6. step 06

    Work on the dress, using soft, blended brushstrokes to suggest fabric and folds.

  7. step 07

    Continue to refine the values and details throughout the painting, paying attention to the overall harmony and balance.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white with small amounts of raw umber, burnt sienna, and alizarin crimson. Use yellow ochre to warm up the skin tones and create highlights.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·soft edges

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines or edges.
  • →Using too much paint and losing the subtle gradations of tone.
  • →Failing to accurately capture the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, raw umber, burnt sienna, alizarin crimson, yellow ochre)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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