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home·artworks·Demeter Mourning for Persephone
Demeter Mourning for Persephone by Evelyn De Morgan

plate no. 5148

Demeter Mourning for Persephone

Evelyn De Morgan, 1906

oilRomanticismmythological paintingfigurelandscapemountainsskymythologydrapery
experienced study

Recreating this painting will help students develop skills in rendering drapery, creating atmospheric perspective, and understanding color temperature to create a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the landscape elements.

  2. step 02

    Establish the horizon line and the placement of the mountains and water.

  3. step 03

    Block in the main color masses for the sky, mountains, and figure's drapery using thin washes.

  4. step 04

    Begin layering colors on the figure, focusing on the highlights and shadows to create form.

  5. step 05

    Develop the background landscape, paying attention to atmospheric perspective by using cooler and lighter colors for distant elements.

  6. step 06

    Refine the details of the drapery, adding folds and highlights to create a sense of volume.

  7. step 07

    Add the details of the hair, wheat, and poppies.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the colors.

color palette

primary · yellow ochre · titanium white · raw umber · alizarin crimson

secondary · ultramarine blue · cadmium red · sap green

Achieve the golden tones of the drapery by mixing yellow ochre with white and small amounts of raw umber and alizarin crimson. Create atmospheric perspective by mixing blues and purples with white for distant mountains.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·drapery rendering
  • ·color layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring atmospheric perspective, causing the background to appear too close.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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