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home·artworks·Deer in Repose
Deer in Repose by Rosa Bonheur

plate no. 3690

Deer in Repose

Rosa Bonheur, 1867

oil, canvasRomanticismanimal paintingdeerforesttreesfoliageanimalsnature
some experience helpful

Recreating this painting will help students develop skills in rendering realistic animal forms and capturing the subtle variations of light and shadow within a dense forest environment. It also provides practice in creating depth and atmosphere through layering and color mixing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the deer and the major elements of the forest.

  2. step 02

    Establish the background with broad washes of green and brown, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the deer, using a mid-tone brown as a base.

  4. step 04

    Begin to refine the forms of the deer, adding highlights and shadows to create a sense of volume.

  5. step 05

    Develop the details of the foliage, using a variety of greens and browns to create texture and depth.

  6. step 06

    Add details to the tree trunks, paying attention to the variations in color and texture.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating a sense of realism and atmosphere.

  8. step 08

    Add final details, such as the eyes of the deer and the subtle variations in the foliage.

color palette

primary · burnt umber · sap green · yellow ochre · titanium white

secondary · raw sienna · ultramarine blue · cadmium yellow light

Achieve the various shades of green by mixing sap green with yellow ochre and ultramarine blue. Use burnt umber and white to create the different tones of brown for the deer and tree trunks. Add small amounts of cadmium yellow light to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Neglecting the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A pre-primed canvas is recommended.

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