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home·artworks·Decorative Head
Decorative Head by Frank W. Benson

plate no. 2823

Decorative Head

Frank W. Benson, 1894

oilImpressionismportraitportraitfigureheadwomanclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating soft, diffused light effects. It will also improve their ability to render fabric and hair with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and background circle using a light pencil.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering in the skin tones, focusing on subtle color variations and soft blending.

  4. step 04

    Develop the details of the hair, using short, broken brushstrokes to suggest texture and movement.

  5. step 05

    Paint the clothing, paying attention to the folds and drapery.

  6. step 06

    Refine the background, creating a soft, diffused effect with blended brushstrokes.

  7. step 07

    Add highlights and shadows to enhance the form and create depth.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · titanium white · yellow ochre · cadmium red light · viridian

secondary · ultramarine blue · burnt umber · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and cadmium red light, with small amounts of blue or umber for shadows. The green clothing is created by mixing viridian with yellow ochre and burnt umber.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Using too much detail in the hair, making it look stiff and unnatural.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating harsh edges between the light and shadow areas.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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