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home·artworks·Dead Christ with Angels
Dead Christ with Angels by Rosso Fiorentino

plate no. 2829

Dead Christ with Angels

Rosso Fiorentino, 1526

oil, panelMannerism (Late Renaissance)religious paintingfigureangelsreligious scenehuman anatomydraperydark background
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating dramatic lighting effects using chiaroscuro. It also provides practice in rendering drapery and subtle skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the darkest areas of the painting with a dark underpainting.

  3. step 03

    Begin layering in mid-tones on the figure, focusing on the light source.

  4. step 04

    Develop the drapery folds and colors, paying attention to how light interacts with the fabric.

  5. step 05

    Refine the facial features and expressions of the figures.

  6. step 06

    Add highlights to the figure and drapery to enhance the sense of volume.

  7. step 07

    Work on the background, ensuring it remains dark and does not distract from the main subject.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · yellow ochre · raw umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve skin tones by mixing yellow ochre, raw umber, and titanium white, with small amounts of cadmium red for warmth. Use glazes of burnt sienna and ultramarine blue to create shadows and depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·tonal painting

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to establish a strong light source, leading to a flat image.
  • →Ignoring the subtle color variations in the drapery.
  • →Getting lost in details too early, before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use a toned canvas to help establish the dark background. Consider using a medium to speed up drying time.

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