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home·artworks·De laatse bezoekers van Pompeii
De laatse bezoekers van Pompeii by Carel Willink

plate no. 2348

De laatse bezoekers van Pompeii

Carel Willink

oilMagic Realismhistory paintingruinsfiguresvolcanocolumnsskylandscape
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic figures within a complex architectural setting. It also provides practice in creating a sense of depth and drama through value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, volcano, and figures.

  2. step 02

    Establish the horizon line and the perspective of the architectural elements.

  3. step 03

    Block in the main color areas: sky, mountains, ground, and buildings.

  4. step 04

    Develop the sky with subtle gradations of blue and grey, creating a sense of depth.

  5. step 05

    Refine the shapes and values of the mountains and volcano, paying attention to atmospheric perspective.

  6. step 06

    Add details to the ruins, including the columns, arches, and broken fragments.

  7. step 07

    Paint the figures, focusing on accurate proportions and realistic rendering of clothing and skin tones.

  8. step 08

    Add final details and highlights to enhance the sense of realism and drama.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of grey and brown by combining raw umber, ivory black, and titanium white. Use ultramarine blue and white for the sky, and add a touch of yellow ochre for warmth. Create depth by using cooler, desaturated colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·rendering figures
  • ·architectural drawing

common pitfalls

  • →Incorrect perspective of the ruins
  • →Overly bright or saturated colors
  • →Poorly rendered figures
  • →Lack of atmospheric perspective
  • →Ignoring the subtle value changes in the sky and mountains

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gel
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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