
plate no. 6600
Laura Knight, 1933
Recreating this painting will help students develop skills in figure drawing, portraiture, and subtle color mixing to achieve realistic skin tones. It also provides practice in creating a sense of depth and form through careful observation of light and shadow.
technical profile
approach — 8 steps
Create a light sketch of the figures, paying attention to proportions and pose.
Block in the background with a thin layer of blue paint, varying the tones slightly.
Establish the basic skin tones for each figure, using a limited palette of warm and cool colors.
Begin to build up the form of the figures by adding layers of paint, focusing on the highlights and shadows.
Pay close attention to the subtle variations in skin tone, especially around the face and neck.
Refine the details of the hair and facial features.
Add the drapery, using soft, blended brushstrokes.
Make final adjustments to the values and colors to create a sense of depth and realism.
color palette
primary · titanium white · raw umber · cadmium red light · ultramarine blue
secondary · yellow ochre · alizarin crimson
Achieve skin tones by mixing white with small amounts of red, umber, and yellow ochre. Use blue to cool down the tones in shadow areas. The background is primarily blue, lightened with white and subtly varied with touches of umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium can help with blending and drying time.
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