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home·artworks·David with the Head of Goliath
David with the Head of Goliath by Giorgione

plate no. 7317

David with the Head of Goliath

Giorgione, 1510

woodHigh Renaissancereligious paintingfigurearmorswordheadreligiousportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating a sense of depth through subtle value changes. It also provides practice in painting metallic surfaces and understanding chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key elements.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions.

  4. step 04

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the armor, focusing on capturing the reflective qualities of the metal.

  6. step 06

    Add details to the sword and the head of Goliath.

  7. step 07

    Refine the overall composition, adjusting values and adding final touches.

  8. step 08

    Add glazes to unify the painting and enhance the depth of color.

color palette

primary · raw umber · burnt umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, umber, ochre, and a touch of red. Use black and umber for the dark background and shadows. Create the metallic sheen of the armor by layering light and dark values of gray and brown.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·value studies

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a strong sense of depth and dimension.
  • →Ignoring the subtle value changes that create form.
  • →Getting lost in details too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a toned canvas to establish a base color.

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