apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dark Autumn, Rocky Mountains
Dark Autumn, Rocky Mountains by J. E. H. MacDonald

plate no. 4081

Dark Autumn, Rocky Mountains

J. E. H. MacDonald, 1930

oilArt Nouveau (Modern)landscapemountainscloudstreeslandscapesky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex landscapes into geometric forms and understanding how to use color temperature to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains and clouds, focusing on the overall composition.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the foreground and working towards the lighter values in the sky.

  3. step 03

    Mix a range of grays and purples to create the shadows on the mountains, paying attention to the subtle shifts in color temperature.

  4. step 04

    Add the details of the trees and rocks in the foreground, using short, broken brushstrokes to create texture.

  5. step 05

    Refine the shapes of the clouds, using soft blending to create a sense of atmosphere.

  6. step 06

    Add highlights to the snow-capped peaks and the edges of the clouds to create contrast.

  7. step 07

    Evaluate the painting and make any necessary adjustments to the composition, color, or value.

  8. step 08

    Add final details and highlights.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green · dioxazine purple

Mix various shades of gray by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and cadmium red to create warm earth tones. Mix viridian green with burnt umber for darker greens.

techniques

  • ·blocking in
  • ·color mixing
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using colors straight from the tube without mixing them.
  • →Failing to create a sense of depth by not paying attention to value and color temperature.
  • →Not simplifying the landscape into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois