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home·artworks·Dans un Bateau (In a Boat)
Dans un Bateau (In a Boat) by Lilla Cabot Perry

plate no. 9584

Dans un Bateau (In a Boat)

Lilla Cabot Perry, 1907

oilImpressionismportraitfigurewaterboattreesportraitreflection
some experience helpful

Recreating this painting will help students develop skills in color mixing to capture subtle variations in light and shadow, as well as practice layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, boat, and horizon line.

  2. step 02

    Apply a thin wash of color to establish the overall tones of the painting.

  3. step 03

    Begin layering in the darker values, focusing on the shadows in the water and the figure's clothing.

  4. step 04

    Gradually build up the lighter values, paying attention to the highlights on the water and the figure's face and clothing.

  5. step 05

    Use short, broken brushstrokes to create texture and capture the movement of the water.

  6. step 06

    Refine the details of the figure's face and clothing, paying attention to the subtle variations in color and value.

  7. step 07

    Add the reflections in the water, using similar colors and brushstrokes as the objects they reflect.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · sap green · alizarin crimson

Mix greens by blending yellow ochre and ultramarine blue. Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·scumbling
  • ·wet-on-dry blending
  • ·optical mixing

common pitfalls

  • →over-blending colors
  • →neglecting the importance of value contrast
  • →getting lost in details too early
  • →not capturing the movement of water

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·easel
  • ·medium gloss
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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