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home·artworks·Dans la crainte
Dans la crainte by Edwin Austin Abbey

plate no. 7326

Dans la crainte

Edwin Austin Abbey

oilRomanticismillustrationfiguresforestdressestreesfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering fabric textures and patterns, as well as atmospheric perspective in a forest setting. Students can also practice figure drawing and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the main elements of the forest.

  2. step 02

    Establish the background with broad washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main colors of the figures' dresses, paying attention to the overall color harmony.

  4. step 04

    Begin adding details to the dresses, including the patterns and folds, using a smaller brush.

  5. step 05

    Refine the figures' features and expressions, focusing on capturing their emotions.

  6. step 06

    Add details to the forest floor and trees, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious image.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and depth.

color palette

primary · ultramarine blue · cadmium red · yellow ochre

secondary · viridian green · burnt umber

Mix various shades of green and brown for the foliage. Use glazes to create depth in the fabric.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details of the dresses, resulting in a stiff and unnatural appearance.
  • →Failing to create a sense of depth in the forest, making the painting look flat.
  • →Ignoring the overall color harmony, resulting in a disjointed and unappealing image.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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