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home·artworks·Danae or The Tower of Brass
Danae or The Tower of Brass by Edward Burne-Jones

plate no. 9662

Danae or The Tower of Brass

Edward Burne-Jones, 1888

oilRomanticismmythological paintingfigurearchitecturecourtyardmythologylandscapedoorway
experienced study

Recreating this painting will help students develop skills in rendering complex figures, architectural details, and creating depth through atmospheric perspective. It also provides practice in depicting varied textures, such as fabric, stone, and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the doorway, and the architectural elements in the background.

  2. step 02

    Establish the basic color blocks for the figure's robe, the tree, and the background buildings.

  3. step 03

    Develop the background architecture, paying attention to perspective and the diminishing size of figures in the distance.

  4. step 04

    Refine the figure, focusing on accurate proportions, drapery folds, and subtle skin tones.

  5. step 05

    Add details to the doorway and the surrounding foliage.

  6. step 06

    Work on the textures of the stone pavement and the building walls, using small brushstrokes.

  7. step 07

    Introduce highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · red ochre · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · viridian green · cadmium yellow

Achieve the subtle skin tones by mixing white, red ochre, and a touch of yellow ochre. Create the muted greens by mixing viridian green with burnt umber and yellow ochre. The red robe is a mix of red ochre and a touch of ultramarine blue for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details, resulting in a flat appearance.
  • →Using colors that are too bright and saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·oil paints (red ochre, ultramarine blue, yellow ochre, titanium white, burnt umber, viridian green)
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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