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home·artworks·Dame Maud Mccarthy Gbe Rrc- the Matron-in-chief in France of Queen Alexandra's Imperial Military Nursing Service
Dame Maud Mccarthy Gbe Rrc- the Matron-in-chief in France of Queen Alexandra's Imperial Military Nursing Service by Austin Osman Spare

plate no. 2136

Dame Maud Mccarthy Gbe Rrc- the Matron-in-chief in France of Queen Alexandra's Imperial Military Nursing Service

Austin Osman Spare

oilArt Nouveau (Modern)portraitportraitfiguredeskflowershatuniform
some experience helpful

This painting offers a chance to practice portraiture and rendering of fabric textures. Students can develop skills in color mixing to achieve subtle skin tones and the muted palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, desk, and background.

  2. step 02

    Establish the overall value structure with a light wash or thin layer of paint.

  3. step 03

    Begin building up the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Define the details of the uniform, including the medals and embellishments.

  5. step 05

    Paint the desk and other objects, focusing on their form and texture.

  6. step 06

    Add the flowers, capturing their delicate petals and leaves.

  7. step 07

    Refine the background, ensuring it complements the overall composition.

  8. step 08

    Add final details and highlights to enhance the realism and depth.

color palette

primary · gray · flesh tones · brown · red

secondary · green · gold · white

Mix skin tones using a combination of red, yellow, blue, and white. Achieve the muted grays by mixing complementary colors like blue and orange or green and red.

techniques

  • ·portraiture
  • ·color mixing
  • ·rendering fabric
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Incorrect proportions in the initial sketch.
  • →Muddying the colors by over-mixing.
  • →Ignoring the subtle value shifts in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (glazing)
  • ·easel

Use a toned canvas to help establish the overall value structure.

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