
plate no. 1074
Barbara Longhi, 1605
Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating a sense of depth through atmospheric perspective. It also offers practice in mixing subtle skin tones and capturing realistic textures.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: the figure, the unicorn, and the background.
Establish the basic values by blocking in the dark areas and mid-tones with thin washes.
Start building up the skin tones of the figure and the unicorn, paying attention to subtle color variations.
Work on the drapery, focusing on the folds and highlights to create a sense of volume.
Develop the background landscape, using lighter tones and softer edges to suggest distance.
Refine the details of the face, hair, and clothing, adding highlights and shadows to create form.
Add the final touches, such as the jewelry and the unicorn's horn, to complete the painting.
Glaze with thin layers to unify colors and add depth.
color palette
primary · titanium white · raw umber · burnt sienna · yellow ochre
secondary · ultramarine blue · alizarin crimson · ivory black
Mix skin tones using white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create grays for the background and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.
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