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home·artworks·Dahlias
Dahlias by Berthe Morisot

plate no. 0754

Dahlias

Berthe Morisot, 1876

oil, canvasImpressionismflower paintingflowersvasetablestill lifefaninterior
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for subtle variations, and capturing the impression of light and form rather than precise details. It's a good exercise in capturing the essence of a subject with expressive strokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the vase, flowers, and table.

  2. step 02

    Block in the background with thin washes of neutral colors.

  3. step 03

    Establish the main color masses of the flowers, focusing on overall shapes and values.

  4. step 04

    Add details to the vase, including the floral patterns, using small, broken brushstrokes.

  5. step 05

    Develop the table surface with layers of color, capturing the reflections and highlights.

  6. step 06

    Refine the shapes and colors of the flowers, adding depth and texture with varied brushstrokes.

  7. step 07

    Add the fan and any other details, paying attention to their placement and relationship to the rest of the composition.

  8. step 08

    Make final adjustments to the overall color harmony and value contrast.

color palette

primary · titanium white · cadmium yellow · alizarin crimson · ultramarine blue

secondary · burnt umber · viridian green · yellow ochre

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color for the background and build up layers for the flowers and vase.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Not paying attention to the overall value structure.
  • →Making the brushstrokes too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, cadmium yellow, alizarin crimson, ultramarine blue, burnt umber, yellow ochre)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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