apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Día de sol en La Boca
Día de sol en La Boca by Benito Quinquela Martin

plate no. 9451

Día de sol en La Boca

Benito Quinquela Martin, 1970

oilImpressionismmarinaboatswaterfiguresbuildingsskyharbor
some experience helpful

Recreating this painting will help students develop skills in impasto painting, color mixing for reflections, and creating dynamic compositions with multiple focal points. It will also help them understand how to simplify complex scenes using bold brushstrokes and color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the boats, buildings, and horizon line with light pencil strokes.

  2. step 02

    Block in the main colors of the sky, water, and buildings using thin washes.

  3. step 03

    Start building up the impasto texture on the boats and buildings with thick paint.

  4. step 04

    Mix colors directly on the canvas to create a vibrant and textured surface.

  5. step 05

    Add details to the figures and boats using smaller brushes and more precise strokes.

  6. step 06

    Create reflections in the water by mirroring the colors and shapes of the objects above.

  7. step 07

    Use a palette knife to add highlights and texture to the water and buildings.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · cadmium yellow · cadmium red · viridian green

secondary · burnt sienna · titanium white · ivory black

Mix white with primary colors to create lighter tints for the reflections and highlights. Use complementary colors to create muted tones for the shadows and darker areas.

techniques

  • ·impasto
  • ·wet-on-wet blending
  • ·palette knife application
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Not using enough paint, which can make the painting look flat and lifeless.
  • →Ignoring the reflections in the water, which are essential to the overall composition.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ultramarine blue, cadmium yellow, cadmium red, viridian green, burnt sienna, titanium white, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann