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home·artworks·Cyril Jackson
Cyril Jackson by Charles Turner

plate no. 9414

Cyril Jackson

Charles Turner, 1811

oilRomanticismportraitportraitfigurechairwindowrobehat
experienced study

Recreating this painting will help students develop skills in tonal value studies and portraiture, focusing on subtle gradations to create form and depth. It also provides practice in rendering fabric and textures using a limited palette.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the darkest and lightest values in the composition to create a value map.

  3. step 03

    Begin filling in the mid-tones, focusing on the overall form and structure of the figure and drapery.

  4. step 04

    Gradually build up the darker values in the shadows, paying attention to the subtle shifts in tone.

  5. step 05

    Refine the highlights on the face, hands, and clothing to create a sense of depth and dimension.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Work on the background details, such as the chair, window, and drapery, to create a sense of atmosphere.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and balanced composition.

color palette

primary · ivory black · raw umber · titanium white

secondary · payne's gray · yellow ochre

Achieve subtle tonal variations by gradually mixing black and white, adding small amounts of raw umber or yellow ochre for warmth. Use payne's gray for cooler shadows.

techniques

  • ·tonal gradation
  • ·portraiture
  • ·fabric rendering
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much contrast, resulting in a harsh or unnatural look.
  • →Ignoring the subtle shifts in tone that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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oil painting for beginners →how to learn by studying the masters →
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