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home·artworks·Curved Street at Szentendre
Curved Street at Szentendre by Kmetty János

plate no. 9518

Curved Street at Szentendre

Kmetty János

oilImpressionismlandscapebuildingsstreetfigureskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering brushstrokes to create texture and depth. It also provides practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and figure, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a thin layer of blue and violet, blending softly.

  3. step 03

    Apply a base layer of muted yellow and orange to the buildings, varying the tones to create depth.

  4. step 04

    Add a layer of pink and peach to the walls and street, using broken brushstrokes to suggest texture.

  5. step 05

    Paint the tree with shades of green, using short, choppy strokes to create foliage.

  6. step 06

    Add details to the buildings, such as windows and doors, using darker shades of the base colors.

  7. step 07

    Define the figure with simple shapes and muted colors, paying attention to the light and shadow.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium orange · violet · sap green

Mix muted tones by combining complementary colors (e.g., orange and blue, red and green). Use white to lighten values and create subtle variations in color.

techniques

  • ·broken color
  • ·scumbling
  • ·color layering
  • ·simplified shapes
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear sense of depth and perspective.
  • →Not simplifying the forms enough, making the painting look cluttered.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, titanium white, cadmium orange, violet, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a limited palette to simplify color mixing and achieve a harmonious effect. Consider using a toned canvas to create a more unified base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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