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home·artworks·Cupid and Psyche
Cupid and Psyche by John Roddam Spencer Stanhope

plate no. 1289

Cupid and Psyche

John Roddam Spencer Stanhope, 1880

oilRomanticismmythological paintingfiguresmythologyinteriordraperylandscapearchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in mixing subtle color variations and achieving a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the main color blocks for the background, figures, and drapery.

  3. step 03

    Begin layering in the darker values to define the forms and create shadows.

  4. step 04

    Gradually build up the mid-tones and highlights, paying attention to the light source.

  5. step 05

    Refine the details of the figures, including the facial features and drapery folds.

  6. step 06

    Add the details of the background landscape and architectural elements.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · alizarin crimson · raw umber · titanium white

Achieve the skin tones by mixing yellow ochre, burnt sienna, and a touch of alizarin crimson. Create the blues by mixing ultramarine blue with white and a touch of raw umber to mute the color. Mix the drapery colors by combining burnt sienna, alizarin crimson, and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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