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home·artworks·Cumberland St, The Rocks, Sydney
Cumberland St, The Rocks, Sydney by Julian Ashton

plate no. 3636

Cumberland St, The Rocks, Sydney

Julian Ashton, 1893

oilImpressionismgenre paintingstreetfiguresbuildingwalltreesfence
some experience helpful

Recreating this painting will help students develop skills in linear perspective, value shading, and creating textures with hatching and cross-hatching. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Focus on the main shapes of the buildings, wall, and figures.

  3. step 03

    Establish the darkest areas of the composition using thin washes.

  4. step 04

    Build up the values gradually, adding layers of hatching and cross-hatching to create depth and texture.

  5. step 05

    Pay attention to the direction of light and shadow to create form.

  6. step 06

    Add details to the figures and buildings, focusing on capturing their essential characteristics.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights as needed.

  8. step 08

    Add final details and adjust contrast.

color palette

primary · ivory black · raw umber

secondary · sepia

Use varying dilutions of black and umber to create a range of grays and browns. Sepia can be used sparingly to add warmth to certain areas.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brush
  • ·value shading
  • ·linear perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the principles of perspective.
  • →Creating muddy or undefined shadows.

materials

surface · smooth paper

required

  • ·smooth paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·fine liner pens
  • ·soft brushes
  • ·black ink

optional

  • ·kneaded eraser
  • ·tortillon
  • ·watercolor pencils

Use a smooth paper that can handle multiple layers of graphite or ink. Experiment with different grades of pencils to achieve a range of values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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