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home·artworks·Cullercoats looking towards Tynemouth - Flood tide
Cullercoats looking towards Tynemouth - Flood tide by John Wilson Carmichael

plate no. 4914

Cullercoats looking towards Tynemouth - Flood tide

John Wilson Carmichael, 1845

oilRomanticismlandscapeseaboatscliffsskyfiguresbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic waves and cloud formations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, cliffs, and major elements.

  2. step 02

    Establish the sky with light washes, blending colors to create soft clouds.

  3. step 03

    Block in the distant landmass and buildings with muted colors, focusing on atmospheric perspective.

  4. step 04

    Define the cliffs and foreground elements, adding details and variations in tone.

  5. step 05

    Paint the sea, using short, broken brushstrokes to represent the waves and their movement.

  6. step 06

    Add the boats and figures, paying attention to their scale and placement within the scene.

  7. step 07

    Introduce highlights and shadows to create depth and dimension.

  8. step 08

    Refine details and adjust values to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · payne's gray

Mix various shades of blue and gray for the sky and sea. Use raw umber and yellow ochre for the cliffs and land, adjusting the proportions to achieve the desired warmth. Add white to create lighter tones and atmospheric haze.

techniques

  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →overworking the details
  • →failing to establish a clear focal point
  • →inconsistent color mixing
  • →ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits (for oil paint cleanup)

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color and simplify the painting process.

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oil painting for beginners →how to learn by studying the masters →
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