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home·artworks·Cullercoats looking towards Tynemouth - Ebb tide
Cullercoats looking towards Tynemouth - Ebb tide by John Wilson Carmichael

plate no. 7853

Cullercoats looking towards Tynemouth - Ebb tide

John Wilson Carmichael, 1845

oilRomanticismgenre paintingcoastlinefiguresboatsskybeachtown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It's a good exercise in creating depth through subtle value and color shifts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: coastline, figures, and sky.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Block in the sky with varying shades of gray, blending softly to create clouds.

  4. step 04

    Paint the distant coastline, using lighter values and desaturated colors to suggest distance.

  5. step 05

    Add the details of the beach and water, including boats and reflections.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and interactions.

  7. step 07

    Add details to the foreground path and fence.

  8. step 08

    Refine the details and adjust values as needed to create a cohesive and atmospheric scene.

color palette

primary · gray · beige · brown · white

secondary · blue-gray · ochre · umber

Achieve the subtle grays and browns by mixing white with small amounts of umber, ochre, and blue. Use more white for highlights and less for shadows.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·soft blending
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →overly bright colors
  • →lack of value contrast
  • →incorrect proportions of figures
  • →neglecting atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (light gray or brown) can be helpful for establishing the initial value structure.

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related guides

oil painting for beginners →how to learn by studying the masters →
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