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home·artworks·Cresheim Glen, Wissahickon, Autumn
Cresheim Glen, Wissahickon, Autumn by Thomas Moran

plate no. 9584

Cresheim Glen, Wissahickon, Autumn

Thomas Moran, 1864

oilRomanticismlandscapetreesforestrockswaterautumnfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic textures of trees, rocks, and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major trees, rocks, and the stream.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large shapes of the trees and foliage using a mix of warm browns, oranges, and yellows.

  4. step 04

    Begin layering colors to create depth and variation in the foliage, using lighter values for areas catching the light.

  5. step 05

    Paint the rocks with a mix of grays, browns, and greens, paying attention to the highlights and shadows.

  6. step 06

    Add details to the trees, such as branches and leaves, using a fine brush.

  7. step 07

    Paint the stream with reflections of the surrounding landscape, using a mix of blues, greens, and browns.

  8. step 08

    Refine the details and add finishing touches, such as highlights and shadows, to create a sense of realism.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow · raw umber

Achieve the warm autumn colors by mixing burnt sienna with yellow ochre and a touch of cadmium yellow. Use ultramarine blue to cool down the warm colors and create shadows.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating flat, lifeless colors without enough variation.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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