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home·artworks·Crecy-la-Chapelle, la route de Voulangis
Crecy-la-Chapelle, la route de Voulangis by Andre Dunoyer de Segonzac

plate no. 8141

Crecy-la-Chapelle, la route de Voulangis

Andre Dunoyer de Segonzac, 1935

oilImpressionismlandscapetreesroadbuildingsskylandscapefigure
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the road, trees, and building placement.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color areas: sky, trees, grass, and buildings with thin washes.

  4. step 04

    Develop the sky with soft, blended brushstrokes, capturing the cloudy atmosphere.

  5. step 05

    Add details to the trees, using varied brushstrokes to create texture and depth.

  6. step 06

    Refine the road and grassy areas, paying attention to value changes to suggest form.

  7. step 07

    Add details to the buildings, keeping them simple and slightly blurred to maintain atmospheric perspective.

  8. step 08

    Add the figure as a small dark shape.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · sap green

Mix muted greens by combining yellow ochre, cerulean blue, and a touch of raw umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking details and losing the overall impressionistic feel.
  • →Creating overly saturated colors that detract from the muted palette.
  • →Ignoring the importance of value changes in creating depth.
  • →Making the buildings too sharp and detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·palette knife

optional

  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-sized canvas to allow for expressive brushstrokes. Consider toning the canvas with a thin wash of raw umber before beginning.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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