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home·artworks·Creation of Adam
Creation of Adam by Michelangelo

plate no. 6975

Creation of Adam

Michelangelo, 1512

frescoHigh Renaissancegenre paintingfigureanatomyhandsdraperyclassicalreligious

From the record

Dimensions
280 cm high × 570 cm wide
Institution
Vatican Museums
Location
Sistine Chapel
Inception
1511
Materials
fresco
Movement
High Renaissance
  • God
  • Adam
  • Creation of Adam

Wikipedia article · Wikidata item Q500242

from the sources

  • The Creation of Adam is a fresco by Michelangelo that forms part of the Sistine Chapel ceiling, painted 1508–1512. en.wikipedia.org

    “The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted 1508–1512.”

  • The fresco depicts the Genesis account in which God gives life to Adam, the first man. en.wikipedia.org

    “It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first man.”

  • The panel is the fourth in chronological order among the Genesis episode panels on the ceiling. en.wikipedia.org

    “The fresco is part of a complex scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.”

  • The painting is described as one of the most frequently replicated religious paintings ever made. en.wikipedia.org

    “Michelangelo's Creation of Adam is one of the most replicated religious paintings of all time.”

  • God is shown as an elderly bearded man in a swirling cloak, while Adam is naked at the lower left. en.wikipedia.org

    “God is depicted as an elderly white-bearded man, wrapped in a swirling cloak while Adam, on the lower left, is completely naked.”

  • Some scholars read the small gap between the two index fingers as representing humanity's inability to attain divine perfection. en.wikipedia.org

    “The two index fingers, however, are separated by a small gap [3⁄4 inch (1.9 cm)], and some scholars think that it represents the unattainability of divine perfection by man.”

  • A widely accepted interpretation, first proposed by Walter Pater, identifies the figure protected by God's left arm as Eve. en.wikipedia.org

    “According to an interpretation that was first proposed by the English art critic Walter Pater (1839–1894) and is now widely accepted, the person protected by God's left arm represents Eve”

  • The Sistine Chapel ceiling contains nine Genesis episodes at its center, divided into three groups. en.wikipedia.org

    “At its centre are nine episodes from the Book of Genesis, divided into three groups: God's creation of the world; God's creation of man and his fall from God's grace;”

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with careful linear drawing of the figure's proportions and gesture

  2. step 02

    Establish basic light and shadow patterns across the torso and limbs

  3. step 03

    Block in flesh tones using warm ochres and siennas mixed with white

  4. step 04

    Model the musculature with careful attention to anatomical structure

  5. step 05

    Refine the hands with precise drawing and subtle value shifts

  6. step 06

    Add the background drapery and rock forms with cooler tones

  7. step 07

    Develop facial features and hair with fine brushwork

  8. step 08

    Final adjustments to overall value relationships and form modeling

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · raw sienna · cadmium red light · ultramarine blue · ivory black

Mix flesh tones by combining ochres and siennas with white, adding tiny amounts of red for warmth and blue for cooler shadow areas

techniques

  • ·sfumato modeling
  • ·anatomical drawing
  • ·chiaroscuro
  • ·glazing
  • ·flesh tone mixing

common pitfalls

  • →rushing the drawing phase
  • →making flesh tones too pink or orange
  • →overworking small details before establishing major forms
  • →ignoring anatomical accuracy

materials

surface · primed canvas or prepared panel

required

  • ·#2, #6, #10 flat brushes
  • ·#2, #4 round brushes
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·stretched canvas 20x24
  • ·palette knife

optional

  • ·cadmium red light
  • ·ultramarine blue
  • ·glazing medium
  • ·#0 detail brush

This is an extremely advanced study requiring strong foundation in figure drawing and anatomy

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