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home·artworks·Crashing Waves
Crashing Waves by Emil Carlsen

plate no. 5999

Crashing Waves

Emil Carlsen

oilImpressionismmarinawavesoceanrocksskycoastline
some experience helpful

This painting is great for learning how to capture movement with visible brushstrokes and how to mix colors to represent the sea and sky. Students will also practice creating texture with impasto techniques.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the rocks and waves.

  2. step 02

    Block in the sky with broad strokes of light blue and white, blending slightly.

  3. step 03

    Establish the dark and light areas of the ocean using varying shades of blue and green.

  4. step 04

    Apply thick paint to the crashing waves, using white mixed with hints of pink and blue to create highlights and shadows.

  5. step 05

    Define the rocks with a mix of browns, greens, and yellows, using short, choppy brushstrokes to create texture.

  6. step 06

    Add details to the waves, such as foam and spray, using small, precise strokes.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the overall balance and harmony.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix blues and whites for the sky and ocean. Use yellow ochre and burnt umber for the rocks, adding touches of green and red for variation. Mix white with small amounts of pink and blue for the wave highlights.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to capture the movement and energy of the waves.
  • →Ignoring the subtle variations in color and value.
  • →Overworking the details, losing the spontaneity of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas for better paint adhesion. Consider using a painting medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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