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home·artworks·Cows homeward bound in the evening
Cows homeward bound in the evening by Theodor Philipsen

plate no. 8962

Cows homeward bound in the evening

Theodor Philipsen, 1904

oilImpressionismanimal paintingcowswaterlandscapeskytreesanimals
some experience helpful

Recreating this painting will help students develop skills in color mixing for realistic animal depictions and capturing atmospheric perspective in landscapes. It also provides practice in rendering reflections in water and creating texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the placement of the cows, the tree, and the water's edge.

  2. step 02

    Block in the sky with light blues, pinks, and yellows, blending softly to create a sense of atmosphere.

  3. step 03

    Establish the basic land masses with browns, greens, and ochres, paying attention to the perspective and recession into the distance.

  4. step 04

    Roughly paint in the water, using darker tones of brown and blue to represent the reflections.

  5. step 05

    Begin to define the shapes of the cows, using a mix of browns, whites, and blacks to capture their markings and forms.

  6. step 06

    Add details to the tree, including the trunk, branches, and leaves, using a variety of greens and browns.

  7. step 07

    Refine the reflections in the water, adding highlights and shadows to create a sense of depth and movement.

  8. step 08

    Add final details, such as the fence, the distant buildings, and any other small elements that contribute to the overall composition.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · cadmium yellow · alizarin crimson · raw sienna

Achieve the subtle sky colors by mixing white with small amounts of blue, pink, and yellow. Create the browns for the cows and landscape by mixing umber, sienna, and ochre with varying amounts of white and black.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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