
plate no. 5811
George Harvey, 1831
Recreating this painting will help students practice portrait sketching, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It also encourages simplification and suggestion of details.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.
Establish the main light and shadow areas with thin washes of color.
Mix skin tones using a limited palette and apply to the face and hand, building up layers of color.
Paint the darks of the jacket and hair, leaving some areas unfinished to mimic the sketch-like quality.
Add highlights to the face, hand, and collar to create form and dimension.
Refine the details of the facial features, paying attention to the direction of light.
Suggest the background with a light wash of color.
Add final touches and adjust values as needed.
color palette
primary · raw umber · titanium white · cadmium red light
secondary · ivory black · yellow ochre · ultramarine blue
Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. Vary the proportions to create different shades and hues. Use ultramarine blue to cool down the skin tones in shadow areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the initial values.
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