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Covenanter by George Harvey

plate no. 5811

Covenanter

George Harvey, 1831

oilRomanticismsketch and studyportraitfiguremanclothinghairhand
some experience helpful

Recreating this painting will help students practice portrait sketching, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It also encourages simplification and suggestion of details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Mix skin tones using a limited palette and apply to the face and hand, building up layers of color.

  4. step 04

    Paint the darks of the jacket and hair, leaving some areas unfinished to mimic the sketch-like quality.

  5. step 05

    Add highlights to the face, hand, and collar to create form and dimension.

  6. step 06

    Refine the details of the facial features, paying attention to the direction of light.

  7. step 07

    Suggest the background with a light wash of color.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. Vary the proportions to create different shades and hues. Use ultramarine blue to cool down the skin tones in shadow areas.

techniques

  • ·portrait sketching
  • ·limited palette color mixing
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the sketch-like quality.
  • →Using too many colors and creating muddy skin tones.
  • →Ignoring the light source and creating flat, lifeless forms.
  • →Getting the proportions wrong in the initial sketch.
  • →Being too precious with the paint and not allowing for happy accidents.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes sizes 2, 4, and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the initial values.

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oil painting for beginners →how to learn by studying the masters →
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