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home·artworks·Country Road Makers 1923
Country Road Makers 1923 by Tom Roberts

plate no. 5799

Country Road Makers 1923

Tom Roberts

oilImpressionismgenre paintingroadmachinerytreesskyfigureshorses
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to create a sense of light and movement. It also provides practice in depicting complex forms with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the road, machinery, trees, and figures.

  2. step 02

    Establish the basic color blocks for the sky, road, and foliage using thin washes.

  3. step 03

    Begin building up the forms of the machinery and figures with thicker paint and broken color.

  4. step 04

    Focus on capturing the light and shadow patterns on the road and machinery.

  5. step 05

    Add details to the trees and foliage, using varied brushstrokes to create texture.

  6. step 06

    Refine the shapes and values of the figures, paying attention to their interaction with the machinery.

  7. step 07

    Add final highlights and details to the machinery and figures to create a sense of depth.

  8. step 08

    Soften edges and blend colors where necessary to create a harmonious overall effect.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt sienna · raw umber · sap green

Mix various shades of yellow ochre with white and a touch of burnt sienna for the road. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Mix greens from ultramarine blue, yellow ochre, and white for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat, unrealistic space.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·painting medium

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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