apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Country House in Winter
Country House in Winter by John Henry Twachtman

plate no. 8423

Country House in Winter

John Henry Twachtman, 1891

oil, canvasImpressionismlandscapehousesnowtreeswinterlandscapesky
some experience helpful

Recreating this painting will help students understand how to use a limited palette to create a sense of atmosphere and depth. It also provides practice in capturing the subtle variations in color and value within a seemingly monochromatic scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, trees, and foreground elements.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the overall snow-covered areas with white, adding subtle variations of gray and blue.

  4. step 04

    Define the house structure, using slightly darker values for shadows and architectural details.

  5. step 05

    Add the trees and branches, focusing on their delicate, linear forms.

  6. step 06

    Develop the foreground with textured brushstrokes to suggest snow-covered vegetation.

  7. step 07

    Refine the details and highlights to create depth and interest.

  8. step 08

    Add the artist's signature.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · burnt sienna · yellow ochre

Mix white with small amounts of blue and umber to create various shades of gray for the snow and sky. Use burnt sienna and yellow ochre sparingly for warm accents.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·limited palette

common pitfalls

  • →overworking the details
  • →using too much color
  • →creating harsh lines
  • →losing the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a slightly toned canvas to make judging values easier.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann