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home·artworks·Countess Orlov-Denisov, née Elena Ivanovna Tchertkova, later Countess Peter Andreievitch Shuvalov (1830-1922)
Countess Orlov-Denisov, née Elena Ivanovna Tchertkova, later Countess Peter Andreievitch Shuvalov (1830-1922) by Franz Xaver Winterhalter

plate no. 5231

Countess Orlov-Denisov, née Elena Ivanovna Tchertkova, later Countess Peter Andreievitch Shuvalov (1830-1922)

Franz Xaver Winterhalter, 1853

oil, canvasRomanticismportraitportraitfiguredresslacejewelryhair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a thin wash of muted gray-brown.

  3. step 03

    Block in the main shapes of the dress and the figure's skin tones.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, focusing on the folds and textures of the fabric.

  6. step 06

    Add the lace details, using a fine brush and light, delicate strokes.

  7. step 07

    Paint the jewelry and other accessories, adding highlights to create a sense of realism.

  8. step 08

    Refine the details of the face, including the eyes, nose, and mouth.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · alizarin crimson · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or umber. Create the dress color by mixing white with small amounts of raw umber and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the delicate details of the lace.
  • →Not paying enough attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·soft cloths

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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