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home·artworks·Countess Eugène Pastré, Born Céline De Beaulaincourte De Marles
Countess Eugène Pastré, Born Céline De Beaulaincourte De Marles by Ernest Hébert

plate no. 3802

Countess Eugène Pastré, Born Céline De Beaulaincourte De Marles

Ernest Hébert

oilRomanticismportraitportraitwomandressfoliagefigurelace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering soft, diffused light. It also provides practice in painting fabric and creating a sense of depth through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on accurate placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a loose wash of greens and browns, suggesting foliage and depth.

  3. step 03

    Block in the main areas of the dress with broad strokes of blue, paying attention to the folds and drapery.

  4. step 04

    Begin refining the facial features, focusing on capturing the likeness and expression of the subject.

  5. step 05

    Add details to the dress, including the lace trim and floral patterns.

  6. step 06

    Develop the hands, paying attention to the subtle variations in tone and texture.

  7. step 07

    Refine the background, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final details and highlights to the face, hair, and dress to complete the painting.

color palette

primary · Prussian Blue · Titanium White · Burnt Umber

secondary · Cadmium Red · Yellow Ochre · Sap Green

Mix various shades of blue by combining Prussian Blue with Titanium White and a touch of Burnt Umber. Create natural greens by mixing Sap Green with Yellow Ochre and a touch of Burnt Umber. Achieve skin tones by mixing Titanium White, Yellow Ochre, and Cadmium Red.

techniques

  • ·Blending
  • ·Glazing
  • ·Scumbling
  • ·Portraiture
  • ·Fabric Rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in tone and value.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian Blue, Titanium White, Burnt Umber, Cadmium Red, Yellow Ochre, Sap Green)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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