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home·artworks·Costumes Parisiens Fashion Illustration No.30, Journal Des Dames Et Des Modes, 1912. Manteau De Zibeline
Costumes Parisiens Fashion Illustration No.30, Journal Des Dames Et Des Modes, 1912. Manteau De Zibeline by George Barbier

plate no. 8175

Costumes Parisiens Fashion Illustration No.30, Journal Des Dames Et Des Modes, 1912. Manteau De Zibeline

George Barbier, 1912

oilArt Nouveau (Modern)illustrationfashionfigureclothinghatfurillustration
some experience helpful

Recreating this painting will help students develop skills in rendering fabric textures and understanding the principles of fashion illustration. It also provides practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall figure and main shapes (hat, coat, collar).

  2. step 02

    Define the contours of the figure and clothing with more precision.

  3. step 03

    Lay in the base color for the background and the main areas of the coat and hat.

  4. step 04

    Add the darker stripes to the coat, following the curves of the figure to create a sense of volume.

  5. step 05

    Paint the fur collar and cuffs, using short, soft strokes to suggest texture.

  6. step 06

    Add details such as the facial features, jewelry, and feathers.

  7. step 07

    Paint the small details in the background, such as the plants and vase.

  8. step 08

    Refine the linework and add any final touches.

color palette

primary · beige · brown · grey

secondary · red · green · blue

Mix browns by combining burnt umber with small amounts of yellow ochre and white. Achieve the skin tone by mixing white, a touch of red, and a hint of yellow.

techniques

  • ·hatching
  • ·dry brushing
  • ·color layering
  • ·contour drawing
  • ·rendering fur texture

common pitfalls

  • →Overworking the details, losing the simplicity of the original illustration.
  • →Failing to accurately capture the proportions of the figure.
  • →Creating stripes that are too uniform and lack a sense of depth.
  • →Making the fur texture too harsh or unrealistic.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper or illustration board
  • ·Pencil (HB)
  • ·Eraser
  • ·Fine liner pens (various sizes)
  • ·Watercolor paints or colored pencils
  • ·Round brushes (small and medium)
  • ·Palette for mixing colors

optional

  • ·Ruler
  • ·Tracing paper
  • ·White gouache for highlights

Use high-quality materials for best results. Consider using a light box to transfer the initial sketch onto the final surface.

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oil painting for beginners →how to learn by studying the masters →
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