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home·artworks·Cosimo I
Cosimo I by Francesco de' Rossi (Francesco Salviati), "Cecchino"

plate no. 5842

Cosimo I

Francesco de' Rossi (Francesco Salviati), "Cecchino"

oilMannerism (Late Renaissance)portraitportraitfigurecityscapedraperyfurhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding how to render complex textures like fur and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Develop the background cityscape, focusing on the overall shapes and values rather than precise details.

  4. step 04

    Start building up the layers of the face, paying close attention to the subtle shifts in color and value.

  5. step 05

    Work on the drapery and fur, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Add details to the clothing and jewelry, using smaller brushes and more precise strokes.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · titanium white · raw sienna · ultramarine blue

Achieve the skin tones by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Darker tones are created by adding ivory black or burnt umber. Use ultramarine blue to cool down the browns and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →getting the proportions wrong
  • →overworking the details too early
  • →not paying attention to the subtle shifts in color and value
  • →muddying the colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·painting easel

Use a high-quality canvas primed with gesso. Consider using a medium to thin the oil paints and improve their flow.

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oil painting for beginners →how to learn by studying the masters →
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