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home·artworks·Cosimo de' Medici il Vecchio
Cosimo de' Medici il Vecchio by Jacopo Pontormo

plate no. 3411

Cosimo de' Medici il Vecchio

Jacopo Pontormo

oilMannerism (Late Renaissance)portraitportraitfiguremanclothinghathistorical
some experience helpful

Recreating this portrait will help students develop skills in tonal shading and rendering fine details. It also provides practice in capturing likeness and understanding portrait composition.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and angles.

  2. step 02

    Establish the darkest and lightest areas of the portrait to define the value range.

  3. step 03

    Begin layering in mid-tones, gradually building up the form and volume of the face and clothing.

  4. step 04

    Focus on rendering the details of the face, such as the eyes, nose, and mouth, with careful attention to light and shadow.

  5. step 05

    Add texture to the clothing and hat using small, controlled strokes.

  6. step 06

    Refine the edges and contours of the figure to create a sense of depth and dimension.

  7. step 07

    Pay attention to the background and ensure it complements the portrait without distracting from it.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and impact of the portrait.

color palette

primary · ivory black · raw umber · titanium white

secondary · payne's gray

Mix ivory black and titanium white to create various shades of gray. Use raw umber to add warmth to the skin tones. Payne's gray can be used to create deeper shadows.

techniques

  • ·tonal shading
  • ·cross-hatching
  • ·blending
  • ·rendering
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value range, resulting in a flat and lifeless portrait.
  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Ignoring the proportions and angles of the face, resulting in a distorted likeness.
  • →Neglecting the background, causing it to compete with the portrait for attention.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils (HB, 2B)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas can help establish mid-tones.

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