apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cosimo de' Medici
Cosimo de' Medici by Agnolo Bronzino

plate no. 3688

Cosimo de' Medici

Agnolo Bronzino, 1505

oilMannerism (Late Renaissance)portraitportraitmanprofileclothinghathistorical figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating a convincing sense of depth and form through careful shading.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the head, hat, and shoulders, paying close attention to proportions and angles.

  2. step 02

    Establish the background with a solid, dark tone.

  3. step 03

    Block in the main areas of color for the skin, hat, and clothing using simplified color mixtures.

  4. step 04

    Begin to refine the skin tones by layering subtle variations of color, focusing on highlights and shadows to define the form.

  5. step 05

    Work on the details of the face, including the eyes, nose, and mouth, paying close attention to the subtle nuances of expression.

  6. step 06

    Render the fabric of the hat and clothing, paying attention to the folds and creases.

  7. step 07

    Add the details of the hair and any other small details.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and convincing portrait.

color palette

primary · cadmium red · titanium white · yellow ochre · raw umber

secondary · ivory black · burnt sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. Vary the proportions to create highlights and shadows. Red for the hat and clothing is modified with black and umber for darker shades, and white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·color layering

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or abrupt transitions between skin tones.
  • →Losing the likeness of the subject.
  • →Applying too much paint at once, resulting in a muddy or overworked appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (cadmium red, titanium white, yellow ochre, raw umber, ivory black, burnt sienna)
  • ·set of round and flat brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti