apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Correspondence
Correspondence by Carl Larsson

plate no. 8262

Correspondence

Carl Larsson, 1912

oilArt Nouveau (Modern)genre paintinginteriorfiguredeskwindowplantsfurniture
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow in an interior setting, as well as capturing the textures of various objects using watercolor washes and dry brushing techniques. It also provides practice in depicting a figure in a naturalistic pose.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the figure, desk, window, and major furniture pieces.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background and large areas.

  3. step 03

    Build up the values gradually, adding layers of color to create depth and dimension.

  4. step 04

    Focus on rendering the light source from the window, paying attention to how it affects the colors and shadows.

  5. step 05

    Add details to the figure, including the hair, clothing, and facial features.

  6. step 06

    Paint the plants and flowers, using a variety of greens and pinks to create a sense of vibrancy.

  7. step 07

    Refine the details of the furniture and other objects, adding texture and highlights.

  8. step 08

    Add final touches and adjustments to balance the composition and enhance the overall effect.

color palette

primary · raw sienna · cerulean blue · alizarin crimson

secondary · sap green · yellow ochre · burnt umber

Achieve the warm wood tones by mixing raw sienna with burnt umber and a touch of alizarin crimson. Create the various greens by mixing cerulean blue with yellow ochre and sap green. Muted pinks are created by diluting alizarin crimson with water and adding a touch of white.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a clear light source.
  • →Losing the freshness and spontaneity of the watercolor medium.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·gouache (for highlights)
  • ·watercolor pencils

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and shapes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois